WE WENT to “Don’t Breathe” prepared not to like it because we know from its trailer that the lead characters are thieves who went to the house of a defenseless blind man to rob him. How can we sympathize with them?
But Director Fede Alvarez (“Evil Dead”, “Panic Attack”) certainly knows what he is doing to hook our attention. The lead character is a young woman named Rocky (Jane Levy, “Evil Dead”), who robs the houses of rich people in Detroit with her boyfriend, Money (Daniel Zovatto), and friend Alex (Dylan Minette), who’s obviously also in love with her. Alex’ father works in a security company for private homes, so he has access to keys that give them the chance to break into homes easily.
Rocky is not really that evil. She comes from a broken home, her mother being an irresponsible whore, and she has a little sister to whom she wants to give a better future. Her boyfriend Money cooks up a crime that can change their lives for good. In an abandoned community in Detroit, there lives a blind man (Stephen Lang, “Avatar”) who is alone in his home in the deserted neighborhood. His only daughter died in a car accident and he was paid about $300,000 as cash settlement. Money believes that such a huge amount is waiting for them in the blind’s man home and they can just go and take it. Easy. No sweat.

But when it comes to Alex, we have some reservations because you can see he’s really a nice guy at heart. He was on his way out to leave Money and Rocky after he finds out that Money is carrying a gun. And yes, Rocky gets our sympathy as we know she’s not doing it out of greed but to help her kid sister and take her to a new life in California.
Of course, it’s wrong to root for someone who’s stealing money from a reclusive blind man, but we do, because it turns out the blind man himself has a deep dark secret like the bad guys in “10 Cloverfield Lane” and “Room”. So the moral dilemma in Rocky’s character is not really that complex after all and we shift our loyalty from the invaded blind man to her.
In a tight thriller like this, establishing the film’s claustrophobic geography is very important and the director does it beautifully with impressive camera work using unbroken dolly and tracking shots that clearly demonstrate to us the space between the characters that is so vital in this kind of confined and limited set-up. Another amazing sweeping shot is the one where the camera goes under the bed of the blind man to ominously show a gun that will obviously be used later.

Many gripping scenes are created with a lot of tension as they play a deadly cat and mouse game, especially in the scary basement sequence when the blind man turns off all the lights ala-”Wait Until Dark”. Viewers who enjoy thrillers, horror flicks and lots of violence surely won’t be disappointed. This works better for us than the stupid “Lights Out” and “The Purge” franchise.
